This is one plate from one of my paper projects that I'm particularluy fond of, as throughout the course of working on it I felt my workflow begin to crystallize, and I learned so much about how to incorporate personality and experimentation into my drafts without sacraficing clarity and informational capacity. This plot was a particularly dense one with a lot of unique hanging positions and different lighting devices, and I struggled to fit everything I needed to in the plates. In working on it, I discovered some of the shortcomings of the standard spotlight symbols and how I might customize them to fit my own drafting style, as well as better ways to approach my layer and class organization and line weights. I think I've made a lot of progress since creating this draft, and everything that I've learned from it is on full display in my drafts for The Moors!